Sander Architects' site strategy was to place the Performing Arts Center to one side of an open lot, thereby creating a new green quad at the heart of campus. This quad also aligns with Lily Rock, the dominant geological feature in the Idyllwild Valley.
IPAC's structural system is composed of light-gauge metal building components and is an excellent example of Sander Architects' Hybrid Construction concept. All steel elements were manufactured off-site by existing steel building manufacturers using computer-controlled processes. The elements were made from 80% recycled steel and were shipped to the site for easy bolt-together erection.
The Concert Hall is sheathed in rusted corten panels. The panels have an irregular topography derived from an abstracted musical phrase by composer Richard James, also known as Aphex Twin. This skin alludes to the music within the Hall and to the landscape of folded rock and granite that makes up the surrounding mountains.
The entrance lobby to the hall has soaring ceilings from which hang dozens of white globe lights. They create a celestial effect and have a subtle dance as they move in cross breezes created when the sliding glass doors open the front corner of the space.
The interior of the hall gets its nickname “Hall of Trees” from the 4” x 8” ribs that arch up the sides and across the ceiling. They are slightly offset to evoke a forest of trees and to scatter the sound and create cleaner acoustics for the performers.
Photo credits: Sander Architects